Our team makes our reputation shine and guarantees we accomplish a lot together. We look forward to seeing and hearing you. Especially the listening part.
Owner & Producer
Since launching Dubway in the mid-80's, Al has built a small recording studio into a full-fledged production facility. He opened the original Dubway in the Music Building at 584 Eighth Avenue. Word quickly spread about the lone engineer in a tiny studio who could conjure up amazing sounds using only one blown speaker and a beat-up four-track. Since those early days, Al has worked on countless projects, built the dazzling new Dubway studios, and continues to be an active musician on New York's club scene.
Nicole started at Dubway after spending time at an art house movie theater and performance space as a manager and projectionist. She has been living in New York for over a decade and has probably jumped off the stage at every NYC music venue. Nicole loves all genres of music from Rock 'n Roll and Pop, to Bluegrass, Rap and even Disney tunes. In her free time, when she is not engaged in the music industry, she enjoys working on her mixed media artwork and channeling her inner nerd at comic book conventions.
Operations Manager, Engineer
Nathaniel Reichman is a Grammy-nominated mixer, engineer, and music producer who has worked extensively in television, film, and classical music. His work can be heard on numerous hit children's television shows including Teenage Mutant Ninja Turtles, WordWorld, Bubble Guppies, and Wallykazam!
In film, he has contributed to Alejandro G. Iñárritu’s The Revenant, Godfrey Reggio's Naqoyqatsi, Abel Ferrara's 4:44 Last Day on Earth, and the Showtime documentary Comedy Warriors, among others. He has also worked on major contemporary classical music albums including those of composers John Luther Adams and Philip Glass. He is a graduate of Bennington College, and an alumnus of the art school Fabrica in Italy.
COMMUNICATIONS MANAGER, ENGINEER
Bea Go came to Dubway in 2016 after completing an audio production program at the Institute of Audio Research, specializing in vocal production and social media/communications outreach. A native New Yorker, Bea Go began her pursuit in music and audio by using internet platforms to share and promote her work, gathering over 2 million plays and 30,000 fans and followers online.
Bea is also a freelance session vocalist with credits including Barbie Dreamtopia, Ford, and MosBurger. When she's not in the studio, she's out and about supporting her friends' bands, writing songs, and engineering live sound for local artists for Sofar Sounds.
Dubway's Engineers & Creatives
After spending his teen years immersed in music, Chris decided to leave his native city of Glasgow, Scotland and relocate to London. He spent the next five years honing his skills as a guitarist and studio engineer.
Having obtained a degree in Music Technology, Chris set his sights on New York City. He immediately found himself behind the mixing desk of the city's oldest rock venue, The Bitter End, while building a reputation as a freelance audio engineer. In the summer of 2009, Chris joined the Dubway Team. Moving through the ranks from intern to engineer, he has worked with some of our biggest clients, including iTunes and VH1.
Producer, MIXER, Engineer
When he's not roasting marshmallows over the campfire, Adrian sound designs for TV and film, including Nickelodeon's Wallykazam! production, and "Fishing Without Nets," winner of Best Short Film at Sundance. Hailing from Salt Lake City, Adrian got his start in music as a guitarist, before migrating to San Diego where he honed his skills as a re-recording mixer and music engineer/producer.
Sam has bounced through a few incarnations in his budding music career, from record label A&R, to live sound technician, to composer and sound designer. Producing and songwriting along the way, he came to Dubway after a stint at the music house of Elias Arts, and has now assisted on recordings for Lily Allen, Rodrigo y Gabriela, and the Zac Brown Band.
Sam graduated from Drexel University’s Music Industry Program. He finds himself especially busy composing and designing sound for Dubway’s growing mobile gaming clientele.
Moving to New York in 2013, Jake quickly became immersed in the city's audio world. Starting as an intern at Dubway, he is now one of the studio's go-to engineers for major TV channels like Nickelodeon, Discovery, History Channel, and Food Network while working with actors such as Mark Ruffalo, Ellen Pompeo, Zak Orth, James Iglehart, and more. With so much voiceover work already under his belt, he's able to capture a crystal clear voice and edit your takes flawlessly.
Jake also works as a freelance FOH engineer around the city and can be found almost every Sunday behind the board at the Playstation Theater mixing services for Hillsong Church.
He switched gears - from managing a biotech firm to engineering and music production! Upon his move from San Diego (University of California, Santa Cruz) Russell's jazz guitaring and bedroom recording stood him good stead as he came to record a wide a array of underground rock, punk, and funk bands. A songwriter himself, he has produced a number of acts, including his own band, Cosmonaut Radio.
Obsessed with organizing noise for as long as he could remember, Zac took this love of music and sound all the way through Berklee College of Music and turned it into a career as an audio engineer and composer. Fully capable of engineering everything from abrasive and feedback-heavy punk to the most family-friendly of audiobooks, he is also a highly competent location sound mixer. His portfolio includes projects for NPR, GQ, Simon & Schuster, Investigation Discovery, and UK's Channel 4.
When not at Dubway, Zac eats whatever looks appetizing, talks in absurd voices, makes avant-garde music under the name vilefilth, and plays in Boston-based band Lovechild.
Driven by his own musical hedonism, Dylan completed training at New England Conservatory and Berklee College of Music in the fields of jazz drum performance and electronic production and design. After leaving school, he worked for four years as an independent engineer in Boston, lugging gear to practice rooms and venues, squeezing well-made albums out of unconventional environments (and budgets).
Since finding a home at Dubway, he’s taken advantage of the lush audio post environment, taking on as much work (both in the studio and on location) as possible. Tracking and mixing for video have given him an opportunity to offer his skills to those who have a vision – and he’s found that working with folks with a clear vision can be a very compelling experience. Still, driven by his own ambition to create, he uses his work experience to inform his personal projects, and vice versa. When not working on post or music sessions at Dubway, he’s putting time into his freelance gigs, as well as his own audio/visual project, Creative Common.
A native Brooklynite, Rashid grew up immersed in the Trinidadian culture, mastering the steel drums and jazz improv. His love of hip-hop led him to engineering at Dubway.
Deceptively mild-mannered, he rocks the Steel Band Competition every Labor Day during the West Indian Carnival in Crown Heights.
Mix Engineer, Mastering Engineer
A native Brooklynite, Michael has been part of the New York Music scene as an engineer and musician for the better part of a decade. Michael’s musical tastes are as varied as his engineering skills and he's always willing to try something twice in the studio. He's clocked countless hours tracking, mixing, and mastering various artists & bands, as well as touring around the world with Danish psychedelic-soul act, The Asteroids Galaxy Tour, as a front of house engineer, monitor engineer, and production manager.
A small sampling of his credits include: Maroon 5, Ringo Starr, The National, Adele, Vampire Weekend, Carrie Underwood, Kelly Clarkson, The Alabama Shakes, Gavin DeGraw, VH1 Unplugged, Waking Lights, Stephanie Nilles, Julian Fleisher, Pig Pen Theater Co., Ana Gasteyer, Sirius XM Radio.
Originally a student of jazz guitar and piano, Michael also gigs regularly, playing hammond organ for classic rock act Foster McGinty.
Chris abandoned his quiet town in Minnesota and moved to New York in 2007. He earned a master's degree from NYU in 2009 and in the same year joined the team at Dubway. Known for his exacting approach to recording and mixing music, he finds his passion in bringing structure and balance to great ideas, which might be why he is an indispensable companion for producers and artists alike. A multi-instrumentalist and lifelong student of music, Chris' unique point-of-view has earned him a loyal client base at Dubway.
Engineer & Producer
Originally from Cincinnati, OH, Keith found his way to New York City in 2003 and started out at Dubway as an intern. His creativity and sensitivity served him well, as he now engineers a variety of projects that come through Dubway, including bands, film scoring, and TV music.
As a composer and sound designer for clients that include Audi, Volkswagen, and Nokia, his indie cred is rooted in his burgeoning reputation as a sonic colorist in the Brooklyn band scene.
Keith graduated from the S.I. Newhouse School of Public Communications at Syracuse University, with a Major in Television/Radio/Film and a dual-minor in Music Industry and Psychology.
Originally from South Carolina, Mariah began her career at Dubway as an intern after earning her Bachelor's degree in Recording Arts at Full Sail University in 2016. Since then, she's worked on audio post for numerous short films (PBS, Jono Freedrix) and found her niche in production audio, regularly recording on set for shows such as 6 Degrees of Murder, Murder Reconstructed, and Artists Den.
Become Part of the Dubway Crew
If you would like to apply for an internship at Dubway, please read all information provided HERE.