Bi-coastal Dubway team records, mixes Cautious Clay for "Live From The Artists Den"

Dubway and Dubway West personnel recently completed work on a live performance of Cautious Clay for the regular live music show, Live From The Artists Den. We’ve been fortunate enough to partner with LFTAD on a number of their recordings in NYC, but rarely have we had the opportunity to loop our west coast outpost into the process.

The show was recorded at the Hard Rock Cafe in Manhattan by Dubway engineers Chad Henderson and Charley Shealy, with Dubway West engineer Jones Jalhey mixing the final recordings for the show. Recording and mixing involves becoming a part of a large process with multiple other teams–the A/V install team for the live show, the production team for the stream, the LFTAD producers, and many more–and having one studio manage both the recording and mixing can be a helpful way for the producers to streamline part of the process.

Check out the show, which aired earlier this week, at the Variety stream above, and a few photos from behind the scenes below.

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LA venue Winston House, with audio wiring & install by Dubway West, named “best new venue”

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Winston House, the Venice venue at which Dubway West has set up a near-permanent shop as the audio production team, was just voted LA’s best new restaurant/venue by noted ranking site Eater. Dubway’s west coast team not only runs sound for much of the venue’s concerts, but also installed the wiring and sound system, mixes post-production recordings from the location, and tags in on collaborations like this summer’s Master of None special streaming concert. Artists performing at the venue run the gamut but as the article notes, are more than likely to be rising stars or early-career breakouts, making the venue a great place to catch intimate performances from artists on the rise.

Congratulations to the entire Dubway West and Winston House crews! Check out the blurb from Eater on the right, and read the entire list (although why would you when Winston House is #1?) here.

Jennifer Hall workshops new material with engineer Zach Grappone

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Singer/songwriter Jennifer Hall is currently in the midst of a series of sessions at Dubway, working on new material for songs with staff engineer (and producer) Zach Grappone. Hall is both a solo artist and a songwriter for other artists.

The three originals Hall has been workshopping have so far involved piano, bass, vocals, and a variety of guitar parts. There’s no release date on these pieces, which are in the process of being developed, but with sessions ongoing, we’ll have updates when we know more!

Hall and Grappone working through guitar parts for one of her new songs, pictured in our Red Room recording suite.

Hall and Grappone working through guitar parts for one of her new songs, pictured in our Red Room recording suite.

Paul Rolnick and Karen Mason return to Dubway's Mezzanine

Paul Rolnick and Karen Mason (2017).

Paul Rolnick and Karen Mason (2017).

Emmy and CLIO award-winning producer Paul Rolnick and multipe-award-winning Broadway and cabaret singer Karen Mason made a return trip to Dubway’s Mezzanine Studio this month, following previous sessions together in 2015, and separate sessions from Rolnick and other artists as recently as a few months ago. The duo–who are also married– tracked a full band and vocals, returning for separate string sessions. Recordings were done by Dubway studio engineers Violette Furton and Chad Henderson, with Rolnick producing from the control room.

Find out more about Karen Mason’s work here, and Rolnick's here.

Ramsay Burgess's musical "Heartbreak County" records in the Mezzanine

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Writer and director Ramsay Burgess brought the cast of his musical Heartbreak County into our Mezzanine Studio space last month to track the cast album with Dubway engineer Marc Frongillo.  The session was a careful process of tracking both instruments and ensemble vocals, with some additional MIDI recording at the end to round out the project, and made judicious use of the Mezzanine’s airy live room and multiple isolation booths.

Take a look at some photos from the session below, and follow the show at their Instagram.

BTS from "The Sounds of the Chi" streamed concert, presented by SHOWTIME

Season 4 of the coming-of-age drama The Chi, is out now on SHOWTIME, and to honor the occasion the network pulled together an amazing lineup of Chicago talent to perform some of the show’s soundtrack. Dubway West was on-set to record audio for the project. Engineering was led by Lucas Webb, with Maja Sazdic assistant engineering and All Worthy People overseeing the production.

Check out the complete show in it’s finished state above, and a few pics from set below! The Chi’s season finale aired in early August, but you can stream this season, and previous seasons, at the link above (with a SHOWTIME subscription).

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Gorgeous, lush set production for Jai’len Josey’s set, from production house All Worthy People.

Gorgeous, lush set production for Jai’len Josey’s set, from production house All Worthy People.

D.C. Anderson tracks trio with Violette Furton

Anderson, center, in the control room with the band post-session.

Anderson, center, in the control room with the band post-session.

Actor and singer/songwriter D.C. Anderson (Norman, Miles) performed new material in the Mezzanine earlier this month, in a session with studio engineer Violette Furton. The artist recorded guitar, vocals, and piano over the course of an evening session–a perfect time of day for a folk music session! Furton tracked the trio as they took it, through the studio‘s SSL 4064 G+ console.

Check out Anderson’s previous releases or more about his career, on the stage (in multiple capacities) and off.

Christine Ebersole records in the Mezzanine with Al Houghton

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Dubway owner and engineer Al Houghton recorded two-time Tony Award-winning singer and actor Christine Ebersole (42nd Street, Grey Gardens, Tootsie) in our Mezzanine Studio earlier this month.

Alongside Charley Shealy, who co-engineered the recordings along with Houghton, Ebersole tracked piano, acoustic guitar, and vocals, before heading downstairs into the Blue Room to mix. The session included musicians Larry Saltzman and Lawrence Yurman (on guitar and piano, respectively), pictured above with Ebersole in the control room.

You can find more about Ebersole’s amazing life and career here, or find some of her many other recordings on her website.

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Producer Billy Mann brings BLKBOK to the Mezzanine

Mann (center, seated), BLKBOK (center right), and Shealy (right, seated) in the control room.

Mann (center, seated), BLKBOK (center right), and Shealy (right, seated) in the control room.

Grammy Award-winning songwriter, record producer, and Green & Bloom/Topline founder/CEO Billy Mann brought Detroit piano prodigy BLKBOK through our Mezzanine Studio to record a collection of holiday piano music late last month. The session was overseen by studio engineer Charley Shealy and produced by Mann.

BLKBOK is an immensely talented pianist whose work has continually crossed genre and style boundaries in interesting blends, primarily in the idioms of classical, contemporary pop, and hip hop. He’s worked with other artists of all stripes over the course of his career (which began at the very young age of six!), including superstars like Rihanna and Justin Timberlake.

For a sample of BLKBOK shredding on a cover, listen to his short snipped of Cardi B’s “Up”, from the Atlantic Records Facebook page (at right). You can also catch a full set of his from Rockwood Music Hall on YouTube, for a taste of the moods his playing can evoke.

Once recording had wrapped, Mann, BLKBOK, and Shealy had time for some preliminary editing and mixing to put a cap on the day’s recordings. We look forward to hearing what these songs become!

Performing artist Ann Kittredge tracks new music in Dubway's Mezzanine

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Singer and performing artist Ann Kittredge recently brought a group of talented musicians to our Mezzanine Studio to track songs and material for an upcoming project. The ensemble included drums, double bass, piano, additional percussion, and lots of vocals. Dubway staff engineer Violette Furton recording the session, using the Mezzanine’s SSL console. Paul Rolnick produced the session, in conjunction with Kittredge.

Kittredge has had a long career on stage, screen, and tape, and has gotten to perform in productions on Broadway, off Broadway, and at theaters throughout the Northeast. Her work spans traditional musicals, cabaret, and a variety of other vocal and performance styles.

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Pro Tools Expert publishes a guide to Apple's Spatial Audio from Nathaniel Reichman

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Lead Dubway engineer Nathaniel Reichman has been a vocal supporter of immersive formats for music for a long time, so it’s no surprise that when Pro Tools Expert needed an expert of their own for an article on Apple’s new Spatial Audio format/program, they turned to Reichman.

The article, which can be found here, describes in detail a set of best-practices and technical approaches for working in immersive music formats, specifically in mixing immersive music via Dolby Atmos and the Atmos renderer. Many of these practices have been honed and deployed on Reichman’s spatial music mixes for Dubway clients, including on a set of John Luther Adams albums, and on some of Pinnas amazingly hi-fi children’s programming.

Reichman presenting at Dolby HQ in Manhattan in October 2019, at the premier and album release for the spatial mixes of John Luther Adams’ Become Desert.

Reichman presenting at Dolby HQ in Manhattan in October 2019, at the premier and album release for the spatial mixes of John Luther Adams’ Become Desert.

For anyone who’s ever been curious about the nuts-and-bolts of translating immersive mixing techniques to the varied playback environments and formats often associated with music consumption, this article is excellent. And if the technical stuff is too in-the-weeds, but you’re curious about hearing your music in an immersive format, give us a call–that’s what we’re here for!

Scott Alan tracks vocals with Dubway engineer Violette Furton

Scott Alan at the piano; photo courtesy of the artist.

Scott Alan at the piano; photo courtesy of the artist.

Multitalented artist and performer Scott Alan has been at Dubway the past month, working with engineer Violette Furton over a couple sessions to record vocals, string parts, saxaphone, and a woodwind section for Alan’s upcoming album.

Vocals were recorded on our Main Floor Studios, with instrumental groups tracked separately in our Mezzanine Studio to take advantage of the spacious live room, both for acoustics and for COVID-safe ensemble recording.

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Alan is an acclaimed songwriter and coach who has worked with all sorts of top talent, including Grammy Award winning Pentatonix, Tony Award winning Sutton Foster, Grammy nominees Jane Monheit and Marc Broussard, and many, many more.

You can keep up to date with Alan’s work at his page, linked at top, and find his previous albums on all digital media platforms.

SOCAPA takes over Dubway's Main Floor

Guitar tracking in Sound Room 3.

Guitar tracking in Sound Room 3.

As was yearly tradition before last year’s shutdown forced a pause, the talented kids of the School of Creative and Performing ArtsSOCAPA for short–took over our Main Floor studios for a couple summer weeks, churning out original tunes alongside Dubway engineers and their instructors. You can see previous years highlighted on the music section of their camp’s website; until the projects are finished and streamable, check out some photos from this year’s camp below!

Engineers included Darnell Burns, Violette Furton, Sydney Fuqua, and Chad Henderson, all of whom worked quickly and efficiently with students to produce finished pieces in a creative, team-effort-style race against the clock.

Congratulations to all the campers–see you next year!

Mayor's House releases video for "Dream Dancer" recording

A video for Mayor’s House’s song “Dream Dancer”–recorded in our Mezzanine studio last week–is now live on the band’s YouTube. The track was recorded and mixed by Dubway’s Violette Furton; the video was captured and edited by the band.

Mayor’s House recorded an EP’s worth of songs during their session, so stay tuned for more to come! You can read our write up of the session here.

Mayor's House tracks new songs in the Mezzanine

Clockwise from top left: bassist Jeffrey Allen, drummer Eli Meyers, guitarist Emily Morris, guitarist River Glassberg, and Dubway engineer Violette Furton.

Clockwise from top left: bassist Jeffrey Allen, drummer Eli Meyers, guitarist Emily Morris, guitarist River Glassberg, and Dubway engineer Violette Furton.

Last weekend, new local band Mayor’s House set up camp in our penthouse Mezzanine studio to track songs for an upcoming project. Staff engineer Violette Furton was there to guide the technical side of things, using the racks of outboard gear for added color and the SSL 4064 G+ as the central hub for the session. Together, the team recorded the classic ingredients of an indie rock band: drums, bass, acoustic and electric guitar, vocals, and more vocals.

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Check out some pictures from the recording here, give the band a follow on IG link above, and stay tuned for new music from Mayor’s House!

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Complex Media records six-episode exclusive podcast hosted by DJ PVNCH

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DJ PVNCH.

DJ PVNCH.

Complex Media has just wrapped production on Complex Subject: Pop Smoke, a limited run, six-episode podcast series on the life and work of Pop Smoke, and Dubway was proud to have served as the host recording facility for the show’s production phase.

Episodes are produced by Complex producer Shiva Bayat and hosted by DJ PVNCH (who you may know as Tekashi 6ix9ine’s DJ), and have been recorded in our Main Floor Studios by Dubway engineer Louis Fisher.

This podcast is a wealth of information on Pop for those interested in the rapper’s life and context, and gives excellent insight into his music and impact on culture. You can find all episodes on Spotify (who partnered with Complex to produce the show) available now!

Miloco Studios listing platform recommends Dubway as premier NYC recording destination

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Our Mezzanine recording room; staff photography from a recording session with Brian Russell Carey.

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Miloco Studios, an international listing service for high-end professional studios all around the world, recently published a recommended list of recording studios in NYC, and we were delighted to see our Manhattan facility listed among the few selected institutions. From their featured listing of our studio:

“If you’re after a room with a view, look no further than Dubway Studios. Boasting the title of ‘highest studio in NYC’, Dubway is a beautifully designed state-of-the-art studio that has over 30 years of studio experience. With penthouse mezzanine live and SSL control rooms, this sits atop the main floor housing three control rooms and three sound rooms, all interlinked with audio and video channels for complete and fluid control over all rooms.

It’s always nice to see appreciation for your efforts, and we’re proud to be among the best the city has to offer. Give us a call or an email to book today!

Dubway West tracks Naïka at Winston House

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Miami-based singer & songwriter Naïka performed a set of expansive R&B at Winston House this week–following on the heels of Sinéad Harnett’s show the day before–with Dubway West on-site to make sure the recording stayed crystal-clear.

Naika just released a new project, Lost In Paradïse Pt.2, and while she hasn’t announced a tour yet, she’s clearly excited to get the songs in front of a live audience. The set included new material and songs from previous albums, including a sultry version of “African Sun”, which you can hear a clip of her performing below.

Dubway West’s technical team included engineers Patrick Pak and Maja Sazdic.

Listen to Naïka’s full releases here, or follow her Instagram (linked at top) for more!

Sinead Harnett performs at Winston House with Dubway West

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Dubway West’s engineers recorded the show of English R&B artist Sinéad Harnett this week, as she performed a set at Winston House in front of a live audience (for the first time in nearly 18 months!).

With vaccinations on the rise, live music and events are finally starting to be safe enough to resume–something we’ve all been waiting for, especially performing artists! Harnett is gearing up to tour Europe in 2022 in support of her newest album, Ready Is Always Too Late, which was released a month ago on her label, Thairish.

Dubway West has enjoyed an ongoing relationship with the performance space Winston House, often serving as in-house recording techs for the varied performances that grace its stage. You can find out about more of those past events on our blog, or check out a clip from Sinéad Harnett’s show to the right. Her album can be streamed at the Spotify link above or on all other major streaming platforms.

Jonathan Reid Gealt records keyboards, organ, and more in the Mezzanine

Pictured left to right: Jonathan Reid Gealt, Joseph Joubert, Stephen Oremus, and Brian Usifer; photo courtesy of the artist (@jonathanreidgealt).

Pictured left to right: Jonathan Reid Gealt, Joseph Joubert, Stephen Oremus, and Brian Usifer; photo courtesy of the artist (@jonathanreidgealt).

Jonathan Reid Gealt returned to our NYC headquarters last week with a stellar crew to record keyboard instruments for his upcoming album Archetype! The session was engineered by staff engineer Zach Grappone and featured a group of producers and orchestrators that we were thrilled to have in-studio–as we’ve only previously collaborated with them all remotely–including Stephen Oremus, Joseph Joubert, Michael McElroy, Matt Hinkley, Justin Goldner, and Brian Usifer.

Recording tackled both group vocals and several keyboard instruments, including our Hammond B3 (with an original Leslie amp cabinet) and Wurlitzer, both pictured below, and our Yamaha Grand Piano.

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These songs are sounding more and more full and beautiful with each day they approach their finished state. Keep posted for more news about Archetype and an upcoming release date!

Stephen Oremus conducts the chorus while engineer Zach Grappone sets a mic in the background.

Stephen Oremus conducts the chorus while engineer Zach Grappone sets a mic in the background.